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Book Review: No Good Deed by Steven Cooper

  • Steven Chisholm
  • 7 hours ago
  • 2 min read
The cover of No Good Deeds by Steven Coopers depicting a sideview silhouette of a man, head blurred by motion, on a gray backdrop. The cover features the novel slogan, "Sometimes bad things happen to bad people."

Book Blurb

Adam Wells is running out of chances. His Karmic Score is nearly zero, and in a world ruled by morality, that means the end of his freedom.


When his neighbour dies, Adam inherits her Karmic boost, if he completes a series of tasks for strangers.


But soon Adam discovers a disturbing Halo rewards him for choices no decent person would make, and in a world governed by an artificial sense of right and wrong, Adam will need to decide how far he is willing to go.


Overall Analysis of No Good Deeds

No Good Deed by Steven Cooper delivers a Black Mirror–style exploration of how social technology could reshape the collective psyche. It offers a fresh perspective on the dystopian world of social credit scores, revealing how systems meant to build trust ultimately erode it. 


No Good Deed blends sci-fi thriller with the classic “earn-your-inheritance” trope. The story follows Adam Wells, a dead-end desk jockey and gig-economy grinder saddled with a tragically low Karmic Score that seeps into every aspect of his social and professional life. To claim the inheritance he has been unexpectedly offered, Adam must perform a series of mandated deeds in a world where every action is rated and, at times, weaponized.


What caught my attention early in the book was the ramifications of a zeroed-out Karmic Score, otherwise referred to as being redzoned: social shadow-banning and, perhaps most interesting, body chirps, where the victim’s every intention is broadcast based on a formulaic interpretation of one’s body language. While the effects of social shadow-banning were heavily explored in the novel, I was hoping to see body chirps shown in more detail.


The prose is sharp, but at points it did seem Cooper leaned on the familiar phrasing rather than exploring fresher metaphors. While the plot was original and engaging, the storytelling, itself, was mostly observational. Though, Adam’s inner dialogue would occasionally interrupt the restrained detailing of the story. I would’ve liked to have seen more of a merger between the narrator and Adam’s perspective. Though, nothing is lost with this brand of storytelling, and I still enjoyed the book. I think this may be just a preference rather than legitimate criticism.


This is not to say Steven Cooper isn’t a great writer. Far from it. The dialogue was fresh and believable, and the ending genuinely caught me off guard. I never truly understood where the story was heading, and yet, he still pulled the rug out from under me. That said, the clues are there; a smarter person than me could likely piece it together before the final turn.


Final Thoughts

There were a few typographical, grammatical, and tense issues, but not enough to detract from the plot. The plot of No Good Deed was beefy enough for me to overlook the minor flaws. Steven Cooper molded for us a familiar world out of a dystopian nightmare. It is a cautionary tale about the dangers of performative perception, subjective morality, and technology that attempts to quantify societal virtues. Copper certainly has a promising writing journey ahead of him, and I look forward to reading the next story he turns out.


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